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Nickevil
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#1 : 2009-3-30 03:27 PM     全部回覆 引言回覆

http://www.hermitagemuseum.org/html_En/03/hm3_3_1e.html

This painting is one of the few surviving works by the young Leonardo. He presents the traditional subject as a genre scene, in which a young mother, shown with the dress and hairstyle fashionable in Leonardo's time, is playing with her son. She holds out a four-petalled flower to her child. This traditional symbol of the Cross is taken by the Child as an innocent toy, which he seeks to grasp in his first attempts to know the world. The warmth and charm of the mother's feelings are represented with realistic expressiveness and the painting has a sense of freshness and spontaneity. The use of the oil painting technique - still new in Italy - enabled the artist to achieve depth and intensity of colouring and transparency in the effects of light and shade.

This work came from the M.A. Benois collection.



在《柏諾瓦的聖母》這幅畫中,畫家利用頂端的兩扇圓拱的窗戶設計,將觀賞者的注意力引導到坐在板凳上的聖母瑪莉亞與聖嬰耶穌。位於中央偏左位置的聖母將沒穿衣服的聖嬰抱在懷裡;她一手扶著祂,一手則拿著一朵花。聖嬰右手探出想要拿花,同時伸長另一隻手抓住母親。於是,玩弄花朵這個動作構成了整幅畫的主題,而畫面垂直的中心軸不偏不倚正好通過三隻手和緩交錯的地方,成為全畫的中心點。

瑪莉亞穿著一身精緻飄拂的藍袍外加紅裙與露出的紅袖;她在胸前別了一只胸針,將蓬鬆的卷髮精心地編成辮子。在這幅畫中聖母與聖嬰之間的顧盼與姿態盡溶於畫的內在世界中,其所散發出的親密感與同質性很難讓觀賞者將注意力從祂們身上移開。

[Nickevil 在  2009-3-30 03:34 PM 作了最後編輯]



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